有別於機能的堆疊，「博物館主義 Museumism」中，空間如同一個雕塑品，減去多餘，裸露素白的肌理質感。
Unlike a stacking of function, space in Museumism becomes a piece of sculpture, stripped of excess, its texture left raw and bare white.
以低限度的設計手法，布局 "moment" 於此之間，可視化「力矩」(moment) 與「時」(moment) 之間的關係，曲線理性地於物理空間中、於生活軌跡上交錯、疊合，挖鑿輪廓。
A minimal design approach places "moment" within it, visualizing the relationship between "moment" as force and "moment" as time. Curves intersect and overlap rationally in physical space and along the paths of daily life, carving out contours.
200 m² 給一家三口，平面對半劃分：一半共享，一半私密。沒有裝飾性的面材，取而代之的是沿著牆面與各區邊界延伸的平滑連續面，界定空間身分的同時也完成分隔的工作。家是一家人共享 moment 的地方 — 而 moment 除了是時間的單位，在物理裡是線性力的旋轉對應。
With 200 m² for a family of three, the plan divides evenly: half shared, half private. There is no decorative cladding. Instead, smooth continuous surfaces run along the walls and the edges of each zone, marking spatial identity while doing the work of division. A home is where a family shares its moments — and beyond the unit of time, a moment in physics is the rotational equivalent of linear force.
自動翻譯
光影妝點，時間恍如膨脹其中。
The path of moment defines shapes and explains the topology of spatial forms, concluding with artistic and emotional appeals.
