AXIS Gallery

完工日期 Completion｜2026

/ AXIS Gallery

Project : #AXIS_Gallery

Series : #MuseumismSeries

Function：Gallery / 藝廊

Net Area：144m² / 48p

Design Team：Lynch 程禮譽 @studioX4

Project Manager：張耀文

Photography：YHLAA

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This 1960s Taipower emergency-repair centre was reframed into an exhibition gallery. We kept its bones and changed its language — an aluminum-grid facade, a 21-degree axial pivot, and a minimalism that lowers its voice so the work can speak. The space is a canvas; the building offers itself as a background for art.

這棟由六零年代台電搶修中心改造而成的藝廊，我們保留它的骨、換了它的語言。焊接鋁格立面、21 度的軸線偏轉，極簡並非空無——而是讓建築安靜下來，把舞台讓給作品。空間是一張畫布，建築以背景姿態出現。

夜間建築正立面，一樓展間燈光點亮整棟量體。

Night facade; gallery lighting fills the ground floor and a single figure stands at the threshold.

日間外觀，鋁格台階、植栽槽、抬高地板由前景向後延伸。

Daytime exterior — the aluminum-grid stair, planter troughs, and raised platform step back from foreground to core.

The original structure is a 1960s Taipower emergency-repair centre — once a local symbol of progress: raised floors for container trucks, a reinforced-concrete skeleton, and a "two-ding" tile facade mimicking the masonry proportions of an earlier era. We kept its bones. We changed its language.

這棟六零年代遺留下來的房子，前身是台電的搶修中心——那個時代它是進步的象徵：貨櫃車專用的抬高地板、鋼筋混凝土構造、表面仿造磚造時期尺寸的二丁掛磚。我們保留它的骨，換了它的語言。

To an artist, the exhibition space is what the canvas is to paint — it must be a background, a language of inclusion. We chose aluminum for its lower reflectivity and welded it into a primordial grid. The entrance is that subtle shift — an axis pivoted 21 degrees.

展覽空間之於藝術家，如同畫布之於顏料——它應該是背景，是包容的語彙。於是我們找尋中性的材料：不屬於男性的，也不屬於女性的，不搶眼，也不隱藏。我們選擇反射性較低的鋁料，焊接成最原始的方格狀。

入口——就是那道微微轉折 21 度的軸線。

Interior — the space as canvas

內部空間 — 作為畫布的空間

If the work is exuberant, the space must feel exuberant; if the work is bashful, the space must feel bashful. White walls, white floor, black ceiling, columns in series, and the grid's light drifting along the rear wall — we lowered our own voice so the work could speak.

如果這件藝術品是歡愉的，那空間也該歡愉；如果它是羞赧的，那空間也該羞赧。白牆、白地、黑頂，方柱排列，鋁格光幕游移於後牆——我們把語彙降到最低，讓作品說話。

Minimalism is not emptiness. The curved wall arrives at an arch; beyond the arch, a dark room; deep in the dark room, a single red.

極簡不是空無。曲牆盡頭有拱門，拱門後有暗室，暗室深處有一抹紅